
The artifact as a subject has been a recent topic in my work. My interest in the artifact initially came from a personal involvement with performance art that started about four years ago. While I was in college there was a general re-visiting of the second wave feminist movement and as a result I was looking at artists who dealt with taboo subjects in the 1960’s and 70’s. I experimented with performance partially to understand how it worked as a political apparatus and also because I wanted to find out which taboo subjects existed in the art world at the time. I arrived at some conclusions, most of which are inconsequential to what I am doing right now but while I was exploring these subjects I momentarily abandoned painting to focus on performance. Eventually, I began to think of such things as Carolee Schneeman’s Internal Scroll and Eve Klein’s Anthropométries, objects that function as recordings of time-based significant actions or performance artifacts.